![\"Art](\"https:\/\/magazine.hmc.edu\/summer-2018\/wp-content\/uploads\/sites\/12\/2018\/08\/spacestudy-1.jpg\")
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\nAlong with the large-format photographs on the walls, each student also displayed a hardcover book of their work, accompanied by descriptions, prose, poetry and other musings.<\/p>\n
This image by Sophie Burns SCR \u201918 called Broccoli on the Dance Floor (featuring Brother Nature)<\/em> is accompanied by a dialogue about, well, broccoli on the dance floor. It was a big hit.<\/p>\n
Portraits<\/em> by Grant Murray \u201918 tells the story of a group of friends who accidentally stepped on an anthill, then immediately felt bad about it. They made reparations by offering the ants a sliced pear. Then they imagined the ants\u2019 personal stories and used photographs to tell them.<\/p>\n
Investigating whether or not posters of inspirational slogans, popular d\u00e9cor in doctors\u2019 offices and elementary school classrooms actually inspire people, Kimberly Joly \u201918 created The Inspiration Book.<\/em> \u201cI explore my own reactions to inspirational signs to understand what truly inspires me,\u201d she writes.<\/p>\n
The Significance of the Instrument<\/em> by Marina Knittel \u201918 included photos of 10 musicians and their instruments in separate rooms. The musicians featured were asked to try to convey which instrument they played without mimicking playing it. The book includes a solution key.<\/p>\n
For The Seeker<\/em>, an extreme closeup image of a chocolate chip cookie, John Lee \u201919 describes using a magnifying glass to symbolize both the process of searching and learning as well as the confusion and distortion that can come from looking at things too closely. \u201cEventually, nothing makes sense anymore, and the world slowly decays into chaos,\u201d he writes.<\/p>\n
Moira Dillon \u201918 included photos made with a flatbed scanner in her work, Lemons: part one<\/em>. \u201cI was surprised by the projects that really pushed materiality and the recording of the subject,\u201d says Fandell. \u201cSpecifically Moira\u2019s book; images of some flowers that were manipulated on a scanner with the artist\u2019s ghostly face in the background.\u201d<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
The Caryll Mudd and Norman F. Sprague Jr. Gallery occupies a prominent location on the lower level of the Shanahan […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-23","post","type-post","status-publish","format-standard","hentry","category-space-study"],"acf":[],"_links":{"self":[{"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/posts\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":0,"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/posts\/23\/revisions"}],"wp:attachment":[{"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/media?parent=23"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/categories?post=23"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazine.hmc.edu\/summer-2018\/wp-json\/wp\/v2\/tags?post=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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